Ebook All Access: Your Backstage Pass to Concert Photography

Ebook All Access: Your Backstage Pass to Concert Photography

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All Access: Your Backstage Pass to Concert Photography

Ebook All Access: Your Backstage Pass to Concert Photography

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Amazon.com Review

From the Author: 5 Tips for Shooting Concerts Alan Hess, Author 1. Learn how to shoot in manual mode. The constant changing lights at a live concert can cause exposure problems that shooting in manual mode can help you overcome. When you use any of the modes other than manual to control the exposure settings on your camera, the cameras built in light meter has control over some of the settings. For example, when you shoot in aperture priority mode, you set the aperture, but the camera reads the light in the scene and sets the shutter speed. When you use shutter speed priority, you set the shutter speed, but the camera reads the light in the scene and sets the aperture. If the light in the background gets brighter all of a sudden then the camera will pick a faster shutter speed or a smaller aperture and can cause the main part of the image to be underexposed. To really get consistent great concert shots, you need to be able to adjust the shutter speed and aperture yourself using the manual mode of the camera. 2. Use the right metering mode. In the previous tip, I suggest that you use the manual mode to take the photos which ignores the metering mode but even though the camera doesn't use the information, it is very useful to get the correct settings to start with. The best metering mode for most concert photographs is the spot metering mode. The spot metering mode ignores most of the scene in front of the camera and instead only uses a very small area usually centered around the focus point. By just reading the light in this small section and not the whole scene means that the moving lights in the background or the lack of light in the background is ignored. 3. Focus carefully. When shooting in low light as is the norm when shooting concerts, you usually have to use the widest aperture available on the lens. This wide aperture means a shallow depth of field and in the cases when you use a prime lens with a maximum aperture of f/1.4 a very shallow depth of field. This means that you have to be very careful what the focus point of the image is. Make sure that you pick the correct spot for the focus point. 4. Timing is everything. With all photography, you need to make sure that you are capturing the subject at the best possible moment. When it comes to concert photography this usually means that you have to wait until the musician is not hidden behind the microphone or turned away from you. Watch for the interactions between the performer and the audience for those moments that make the show special and do your research. If the performer is known for a special look or action, make sure you capture that. 5. Shoot in bursts. With the ability of today's digital cameras to shoot in continuous mode and the large capacity memory cards being relatively inexpensive there is no reason not to shoot in bursts. That is to take 3,4 or even 5 shots in quick succession instead of just one. This allows you to capture the moment with more certainty and even if the lights are changing you can still get the shot. Sample Photos from the Author (Click on images to enlarge) Black and White Photo of Billy Gibbons The smile is what makes this photo of Billy Gibbons so great. It captures the real fun that he was having on stage that night and combined with him looking right at the camera makes it one of my favorites. This was taken in a bar with pretty low lighting with a very red color cast so I converted the image to black and white in post production using Adobe Lightroom and Nik Silver Efex Pro 2.Copyright Alan Hess Dave Navarro on Guitar When photographing guitar players, I always try to get the whole guitar into the frame. In this case I had to lean back and very carefully compose the shot as not to cut the guitar neck or Dave's shoulder on the other side. Be aware of all the action going on in the frame and make sure the elements that you want to show are in focus. The vocalist is behind Dave and you can see him in the background but since there is a very shallow depth of field he is pleasantly out of focus.Copyright Alan Hess Billy Morrison on Guitar Many times it is easier to get access to shot concerts in bars or smaller venues. This photo of Billy Morrison was taken when his band Camp Freddy played a series of shows at the Roxy in Los Angeles in late 2011. There was no photo pit so I had to show up early and wait for the show to start. Now while that may not sound very glamorous, the small venue allowed me to capture intimate shots like this one.Copyright Alan Hess

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Product details

Paperback: 304 pages

Publisher: Wiley; 1 edition (February 7, 2012)

Language: English

ISBN-10: 1118172906

ISBN-13: 978-1118172902

Product Dimensions:

7.3 x 0.7 x 9.1 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

55 customer reviews

Amazon Best Sellers Rank:

#842,421 in Books (See Top 100 in Books)

The book itself is great, and perfect for a beginner. For someone that has actually been doing concert shoots for a few years, it was just reaffirmation of stuff I learned the hard way, on my own. [...]is some of my work, and photos.terrymercer.com/concerts is the link to hundreds of Country Artists and thousands of images I've shot over the last 4 years. The one thing I didn't really get out of this book, which I was hoping to... is WHERE & HOW TO MAKE MORE MONEY. It's all above the photography, the venue relationships, dealing with the artists, and the common sense stuff. It really is a great book, but aimed more for those that don't already have venue relationship, haven't already been 'doing it' in the real world. It really could have saved me a whole lot of time had I read it before jumping into concert shoots. And he's 1000% correct, having SECURITY & the venue manager/owner on your side is key to making anything happen. And following the rules of the artist's manager/label is key to ever having the opportunity to shooting that artist again in the future.

I am just learning about this field and this book has really helped encourage me to join it! Great personal examples and from others in the field. Mentions settings to start with which is helpful too!

I'm already a band photographer but I wanted to see if there were any extra tips I could use. It's a very well written and concise book and would be especially useful for those just starting out or who are thinking of upgrading to a SLR. I'm glad to have this book in my library!

Great book for people interested in capturing live shows.Many great tips, suggestions and practical reference guide.I only occasionally shoot concerts and this book is my mental check list a few days before the assignment.

There are only a handful of books on this topic available on amazon, I read all of them and this one is head and shoulders above the rest.I think the most important feature is that Hess gives you a lot of info about who to contact and how to contact them to get access to shows, which is the biggest challenge for someone getting into this field. The other books either ignored this or were kind of like "contact people, get into shows", Hess gives you a template and an idea what to say so you look professional.other parts of the book that really stood out:-lots of technical camera info but very accessible even to someone like me who has limited experience, I learned more about just photography in general from this book than I have from other photography books, plus you get all the concert shooting related knowledge on top of that, great value.-lots of interviews and tips from other industry professionals, really giving you ideas about how other people work and different points of view, it gave the book different voices and allows you to gather a lot of info from different sources and different job families.I could go on and on, but all you need to know is that if you are interested in this type of work and are reading this review, you should just buy the book, you will not be sorry.

This is the book you been waiting for. Go buy it right now. Alan Hess is awesome and does a good job conveying all he has to offer in Concert Photography.

Enjoyed looking at this, and reading all the good information. If you're a photographer who takes photos at concerts and live events, you will definitely enjoy this book.

A great, great price from the seller. A photographer recommended this for my daughter - so far she loves it.

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All Access: Your Backstage Pass to Concert Photography PDF

All Access: Your Backstage Pass to Concert Photography PDF

All Access: Your Backstage Pass to Concert Photography PDF

All Access: Your Backstage Pass to Concert Photography PDF