Free PDF Kafka
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Kafka
Free PDF Kafka
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About the Author
Born in Philadelphia, R. Crumb is the author of numerous comic works and one of the pioneers of underground comics and arguably one of the most famous cartoonists in history. His books include The Book of Genesis Illustrated by R. Crumb, and many more. He lives in the south of France with his wife, the artist Aline Kominsky-Crumb.
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Product details
Paperback: 176 pages
Publisher: Fantagraphics Books; Reprint edition (August 20, 2013)
Language: English
ISBN-10: 1560978066
ISBN-13: 978-1560978060
Product Dimensions:
6.3 x 0.6 x 8.5 inches
Shipping Weight: 13.9 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
59 customer reviews
Amazon Best Sellers Rank:
#310,872 in Books (See Top 100 in Books)
I think the main differences between the work he is famous for and this is that here we really see him stretch his already creative arms creatively. Bizarre, weird, and strangely captivating. If you know the work of R. Crumb then you probably have an idea of what you are getting into here. I think the main differences between the work he is famous for and this is that here we really see him stretch his arms creatively as he tries to drag us through the odd life of Kafka and the fact that his work has never looked better. By being shackled to more realistic narrative his work comes off looking better than it has at any point in his career. A true visual joy aside from the fact that much of what he is chronicling here is dismal and depressing.
If you are collecting the absolute best that sequential art has to offer (from Art Spiegelman's 'Maus' to Wil Eisner's 'Contract with God' to Alan Moore's/ Dave Gibbons' 'Watchmen' to Frank Miller's 'That Yellow Bastard') then you will want to add this to your collection. It's right up there with the best of them, showcasing just how breathtaking the medium can be.'Kafka' by R. Crumb and David Zane Mairowitz serves as an eloquently written bio of arguably the most important writer of the 20th century, complimented with gorgeous drawings by arguably the most important cartoonist of the 20th century.Any student of Kafka and/or graphic art will love every page of this masterpiece
An informative and well-written graphic novel, although I was hoping that R. Crumb had written a few more jokes to go along with the information. What is written does a great job of chronicling Kafka’s background and the various hang-ups and struggles he faced throughout his life. The book also summarizes a great deal of Kafka’s novels and short stories, and it was a great joy to see how Crumb brought some of those scenes to life. However, if you have any interest in reading some of these works by Kafka, be warned that this book will absolutely tell you the ending, as well as the main message of the story in question. If you have read the stories, it is great to get context of where the author was coming from, and what he was going through at the time.I don’t really have any complaints about this one. It is a straightforward, concise biography of Kafka with great illustrations. It hits all of the major points, including the thing that people most commonly misunderstand when they use the term "Kafkaesque". There is an extensive "for further reading" section for people who are interested in continuing to learn about Kafka, and the ending of this book wraps up the importance and continued relevance of his work quite nicely.I give it 4.5 out of 5 because it was well-written and researched, without doing anything mind-blowing. A nice, fast read.
This is a thoroughly enjoyable introduction, in graphic-novel form, to the life and writings of Franz Kafka. Its central theme (which I doubt is original) is that although Kafka himself had little to say about his Jewish roots, they were of supreme importance in his writing and to his development as an artist. But original or not, this well-written literary biography, magnificently illustrated by the incomparable R. Crumb, gives a reader the "feel" of Kafka's connections to the Prague Ghetto and demonstrates why there is so much more to Kafka than the ubiquitous adjective derived from his name.
Cool book. Intro has some Kafka history to set the tone. The stories are annotated to accommodate the illustrations, but I've read them all many times anyway and really enjoyed this combination of Kafka and Crumb.
Kafka was a complex man whose genius is inseparable from his huge neuroses. So is Robert Crumb. Put the two together, as this book does, and the upshot is a book in which the distinction between author Crumb and subject Kafka tends to dissolve. The book is just as much about the one as the other. It's no mistake that Crumb is drawn (sorry for the bad pun) to Kafka.At one level, the book is a primer on the life and work of Franz Kafka, with Crumb lavishly illustrating David Zane Mairowitz's text (warning: the text is strangely loaded with typos). The highlights of Kafka's life, including his stormy relationship with his father, his alienation from Prague, the city in which he spent most of his life, his difficulties with sexual intimacy, his self-loathing, his work at an insurance agency, and his struggle with tuberculosis, are all chronicled. Moreover, synapses of some of his best work--"The Judgment," "The Metamorphosis," "The Burrow," "In the Penal Colony," "A Hunger Artist," "Letter to His Father," The Trial, The Castle, and Amerika--are provided. Someone who knows nothing or little about Kafka will get a good orientation from reading this book.But it's Crumb's pen-and-ink illustrations that make the book. They're eerie, dark, and at times actually frightening: perfect glimpses of Kafka's demons as well as Crumb's. In fact, Crumb and Kafka share many of the same demons: an intense need for comfort by women, but a deep-seated hostility to them; an equally intense need for public approval, coupled with an intense contempt for the crowd; a fascination with the usually unnoticed weirdness of the ordinary; a competing attraction and repulsion to the artistic, bohemian crowd; seething but repressed sexuality; a periodic yearning to disappear, to be punished, to be redeemed and reborn through suffering; an alternately bewildered and enraged dislike of Nietzschean proportions of the way in which popular culture cheapens existence (Crumb & Mairowitz's take on touristy Prague, pp. 174-75, is priceless); and a need to confess some of their darkest secrets, through their art, to the very public they disdain. In many ways, both Crumb and Kafka are hunger artists: they refuse to partake of the status quo not necessarily because they're ascetics, but simply because they don't find anything in it that whets their appetites. In gazing at Crumb's brilliant illustrations of Kafka, one can't help but think that this work, like so much of what Crumb does, is autobiographical.Is it intentionally so? Does Crumb understand the deep connection between himself and Kafka? Is the book intended, at least on one level, as a gag: a book about Crumbka? I dunno, although I suspect that Crumb knows exactly what he's doing. But what I do know is that Kafka is about more than just Kafka. And that's what makes doubly intriguing.
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